Title
To All Kinde of Estates I Meane for to Trudge’: Making Room for the Commoners in Cambises
Document Type
Article
Digital Object Identifier (DOI)
10.12745/et.17.2.1210
Journal Title
Early Theatre
Publication Date
2014
Abstract
Thomas Preston’s Cambises combines the tale of a sixth-century Persian tyrant from Herodotus’s History with a series of low-born characters and comic interludes that derive from morality plays and mystery cycles. Despite the presence of elite and popular elements in the text, studies have focused chiefly on the nature of aristocratic resistance to the monarch. When considered in this context, Cambises’s accidental death at the play’s conclusion implies that an anointed ruler could only be removed through divine intervention; his subjects could reprimand him for his cruelty, but they could not depose him. I argue in this essay that the play’s commoners challenge the prevailing discourse of passive resistance by undermining Cambises’s military campaign in Egypt, calling on him to execute his corrupt deputy, and contemplating his death when he fails to meet their expectations. In doing so, they demonstrate that political protest is not limited to the nobility, but available for appropriation by ‘all estates’.
Publisher Statement
Issues published in the current calendar year or in the calendar year preceding the current calendar year are protected. Older issues are openly accessible via the Journal web site or University of Toronto Journal Production Services.
Recommended Citation
Mathur, Maya. “‘To All Kinde of Estates I Meane for to Trudge’: Making Room for the Commoners in Cambises.” Early Theatre 17, no. 2 (2014): 35–55. https://doi.org/10.12745/et.17.2.1210.
Comments
The definitive article is available on the Early Theatre website at: https://doi.org/10.12745/et.17.2.1210.