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Student Research from 2024

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Old Wives’ Tales: Collections from Beneath the Floorboards, Layla Barnes

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The Metaphor of Ekphrasis: or Why does your Ekphrasis look different from mine?, William Butler

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“4, 24”, and 4c”: The Shared Knowledge of Hair Terminology and Cultural Pride Among Black Women., Aliya J. Claiborne

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"The Service of Bleakest Realism": Authorship, Guilt, and Forgiveness in Ian McEwan's Atonement, Emily Kile

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Diaspora and Identity in Jhumpa Lahiri's Unaccustomed Earth, Riley Prater

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Who’s Laughing Now? Comedy as Coping Mechanism and Critique in Paul Beatty’s The Sellout, Mihaughany Redd

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Fallen Creator and Failed Christ: An Exploration of Religious Imagery and Metafiction in Ian McEwan’s Atonement, Tabitha Robinson

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Unraveling the Threads: Memory and Narrative in Ian McEwan's Atonement, Emily Rooksby

Student Research from 2023

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goddess of., Megan Childs

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Lady Winters, Madeline Ice

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Save the Dragon, Emily Malone

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Dorian and the Double: Repressed Homosexual Desire in The Picture of Dorian Gray, Alexandra Wohlford

Student Research from 2022

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Rank versus Romance: The Relationship of Class and Courtship in Burney's Evelina, Lucy Clark

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Bildungsroman and Trauma in Harper Lee’s To Kill a Mockingbird and Dorothy Allison’s Bastard Out of Carolina, Bernadette D'Auria

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Russian and Ukrainian: Like Two Drops of Water, Elizabeth Edwards

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Mutually Exclusive: Being Gay and Being a Man in E.M. Forster’s Maurice, Kimber Foreman

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Novella, Sydney German

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The Fate of Her Heart, Elizabeth Gisselquist

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Shakespeare’s The Merchant of Venice, QAnon and Blood Libel, Georga Hackworth

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The Science of Art “Faithfully Presented”: Entropy in British Victorian Literature, Hannah Harris

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Inferno of the Mind, Amber M. Harvey

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“The Battle Against Sameness”: Queer Marriages in Forster and Woolf, Lindsey Hatton

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The Garden of Secrets and Truths, Chloe Martin

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Dorothy Allison's Gothic Poverty, Jessica Morin

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Prosodic and Deictic Features as Performance Markers in Southern Baptist Sermons, Matt Nelson

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“Hysteria Abated”: Forster’s Treatment of Women’s Mental Health in Howards End, Rosemary Pauley

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Haunting Memories and Healing Stories: Grief and Catharsis in Eudora Welty’s The Optimist’s Daughter and Jesmyn Ward’s Sing, Unburied, Sing, Carleigh Rahn

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Little Women, Little Houses: Authorship and Authority in Louisa May Alcott and Laura Ingalls Wilder, Katia Savelyeva

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The Dissection of Twins, Amber Zipfel

Student Research from 2021

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Songs of Eden, Emma Atkinson

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I Like To Think I’m Making Something New: An A. I. Attempts Narrative, Kelly Donaghey

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Christian Imagery in the Short Stories of Flannery O'Connor, Vanessa Fickes

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Creative Writing in Multiple Mediums, Piper Giannini

The Pensieve Podcast, Alexandra Slaughter

Student Research from 2020

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Dimensions of the DSM, Emma Snyder

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Representations of Disability in Literature and Elementary Education, Rebecca Young