Student Research from 2022
East Versus West: The National Gallery of Art’s Relationship to Modern Art and Architecture, Meredith Glasco
Goddess of France, 1745-1764: Madame de Pompadour and the Rococo Traditions of 18th-Century French Portraiture, Meredith Glasco
Performative Disability: The Objectification of Atypical Physiognomy in the Self-Portraits of Egon Schiele, Sophia Maldonado
Student Research from 2020
Honors Studio Art Portfolio, Tara Meeks
Student Research from 2019
Vincent van Gogh's Self-Portraits, Mary Novitsky
Student Research from 2018
Representations of Lucrezia Borgia and the Image of the Moral Exemplar in the Late Quattrocento and Early Cinquecento, Nina Wutrich
Student Research from 2017
A Royal Display: The Significance of Rubens' Banqueting House Ceiling, James T. Stewart
Student Research from 2016
The Venus Problem: An Examination of Botticelli's Venus and Mars, Eynav R. Ovadia
Student Research from 2015
We are the Reckless, We are the Wild Youth: Decadence and Debauchery in the Art of the Utrecht Caravaggisti, Katie Brooke Frazier
Herrad of Hohenbourg and her Garden of Delights, Alyssa M. Hughes
A Critical Reassessment of Duchamp's Readymades and his Antiaesthetic of the Ordinary, Alexandra M. Parrish
The Mighty Equine: The Influence of Titian and Rubens on the Equestrian Portraits of Velázquez, Kristine Susan Woeckener