Student Research from 2025
Beyond the Didactic: The Morally Edifying Impact of Pure Aesthetic Experience, Hayley A. Madden
Trans-Pacific Connections: Chinese Porcelain and Aztec Motifs in Colonial Mexico, Natalia Ramirez
Trans-Pacific Connections: Unveiling Cultural Exchange through Baroque Folding Screens of Japan and Mexico, Natalia Christine Ramirez
Student Research from 2024
Medieval German Christian Women’s Religious Experience, Elliot Knell
Student Research from 2022
East Versus West: The National Gallery of Art’s Relationship to Modern Art and Architecture, Meredith Glasco
Goddess of France, 1745-1764: Madame de Pompadour and the Rococo Traditions of 18th-Century French Portraiture, Meredith Glasco
Performative Disability: The Objectification of Atypical Physiognomy in the Self-Portraits of Egon Schiele, Sophia Maldonado
Student Research from 2020
Honors Studio Art Portfolio, Tara Meeks
Student Research from 2019
Vincent van Gogh's Self-Portraits, Mary Novitsky
Student Research from 2018
Representations of Lucrezia Borgia and the Image of the Moral Exemplar in the Late Quattrocento and Early Cinquecento, Nina Wutrich
Student Research from 2017
A Royal Display: The Significance of Rubens' Banqueting House Ceiling, James T. Stewart
Student Research from 2016
The Venus Problem: An Examination of Botticelli's Venus and Mars, Eynav R. Ovadia
Student Research from 2015
We are the Reckless, We are the Wild Youth: Decadence and Debauchery in the Art of the Utrecht Caravaggisti, Katie Brooke Frazier
Herrad of Hohenbourg and her Garden of Delights, Alyssa M. Hughes
A Critical Reassessment of Duchamp's Readymades and his Antiaesthetic of the Ordinary, Alexandra M. Parrish
The Mighty Equine: The Influence of Titian and Rubens on the Equestrian Portraits of Velázquez, Kristine Susan Woeckener